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Okay Lacan’s formula “desire is the desire of the Other” does not mean

“Firstly, desire is essentially a desire for recognition from this ‘Other’; secondly desire is for the thing that we suppose the Other desires, which is to say, the thing that the Other lacks.”

It means that the capacity to desire is solicited, or rather demanded from us, and the originary signal of this demand is the irruption of the imaginary which opens up into and fractures the real.

The “desire for recognition” from the Other mentioned above is an injunction to be seen desiring. I essentially reject the Kojevian “recognition” narrative here. From this perspective, the second elaboration, i.e. what “we suppose the Other desires” amounts to the same thing; the Other isn’t lacking some arbitrary object, rather it is lacking desire itself. This assertion ought to be taken as profoundly ontological. However, the injunction to be seen desiring will not immediately nor dialectically give rise to desires as such, since it is not actually represented as desire but signaled as a demand.

The position of the big Other at this stage of its imminent deployment is not as an emissary of the “signal” which forges a connection to the imaginary. A signal in this sense does not require a sender, only a recipient. If the real can be given primacy, and the Other remains ontologically consistent with this real, then the genesis of the Other must be the real emergence of a traumatic confrontation with physical spatiality which cannot be structurally situated or presupposed.

This is essentially to say that the solicitation of the imaginary order is a spontaneous, non-dialectical emergence of a perceptible bodily fragment. This bodily fragment in turn has the potential to become a perceptual basis for differentiation against the backdrop of the imaginary and the real. In order for desire to fully emerge however, this bodily fragment needs to be “passed around” if you will. This is sufficient to provide the partial-object which slowly assembles our subjectivation. There is no “subject” at this stage, but its presumable development can be designated as the imaginary phallus i(a) while still remaining consistent with an ontology of sense.

@bataillemeup ?

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fyeahygocardart:
“ Haunted Shrine
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fyeahygocardart:

Haunted Shrine

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redlipstickresurrected:
“Jang Kwang-Bum aka 장광범 aka Kwang-bum Jang (Korean, b. 1972, Seoul, South Korea, based Paris, France) - Montagne V, 2016 Paintings: Acrylics on Canvas and Sanding
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redlipstickresurrected:

Jang Kwang-Bum aka 장광범 aka Kwang-bum Jang (Korean, b. 1972, Seoul, South Korea, based Paris, France) - Montagne V, 2016  Paintings: Acrylics on Canvas and Sanding

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Source: francoiselivinec.com

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cxreyjacksxn:

Guys with beards are just guys without beards with beards

#dialectics

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officialsasukerp:

whos naruto

MEEEE BABEY

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cultural-marxist-sjew-agitprop:

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Peak 2018 nightmare state is the government telling this to a frightened child.

Source.

A landmark climate-change lawsuit brought by young people against the US government can proceed, the Supreme Court said on 2 November. The case, Juliana v. United States, had been scheduled to begin trial on 29 October in Eugene, Oregon, in a federal district court. But those plans were scrapped last month after President Donald Trump’s administration asked the Supreme Court to intervene and dismiss the case.

The plaintiffs, who include 21 people ranging in age from 11 to 22, allege that the government has violated their constitutional rights to life, liberty and property by failing to prevent dangerous climate change. They are asking the district court to order the federal government to prepare a plan that will ensure the level of carbon dioxide in the atmosphere falls below 350 parts per million by 2100, down from an average of 405 parts per million in 2017.

By contrast, the US Department of Justice argues that “there is no right to ‘a climate system capable of sustaining human life’” — as the Juliana plaintiffs assert.

Bear forever in mind that this is a conservative government, a Republican government, arguing that no one has the right to a livable planet.

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thesongremainsthesame:

Keanu Reeves photographed by Deborah Feingold, 1989.

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The Good Shepherd by Oswald Völkel
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servant-of-christ-jesus:

“I am the good shepherd.” 

The Good Shepherd by Oswald Völkel 

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